Toronto Fringe with non-fringey pricing in 2024

One of the best things about Fringe, is the ability to see a lot of shows, and to take risks on shows, without breaking the bank. The cost of a Fringe ticket has always been significantly lower than the cost of a theatre ticket to other theatre experiences outside of festival season. And that’s great. The ability to discover a show is an amazing experience, and one I have enjoyed greatly over my years of Fringing.

This year, I noticed that the price of a Toronto Fringe ticket has significantly increased. The cost of a ticket is $18 this year. Last year, the ticket price was $13 + $2 service charge, which came to $15. This year, the $18 fee is actually a $15 ticket price with a $3 service fee, which doesn’t sound like that much, right? Except that, when I am thinking of spending money, $18 sounds a lot closer to $20. The Edmonton Fringe, the biggest Fringe Festival in Canada, has a surcharge of $5 on top of its $15 ticket price, bringing the cost of a singe Fringe ticket to right to $20. The Montreal Fringe ticket prices is $15 with a $4 surcharge. Hamilton Fringe, likewise has a ticket price of $14 with a surcharge of $2.50.

I’m listing these other fringe festivals, because I want to point out that this is not just a Toronto thing. The cost of a Fringe ticket is ballooning.

I recall a little while ago, there was a push from a lot of touring Fringe artists to get some festivals to raise the amount that the artists receive. But this was very much aimed at the few festivals that had their ticket prices set lower than the norm, making it unlikely that a Fringe artist could break even. These prices, it seems to be are unrelated to that push.

These higher prices are bad for Fringe. They are bad for audiences. And they are bad for Fringe artists. The whole point of Fringe is to be able to see things that you might not normally see. The price is usually lower than purchasing a ticket during the regular theatre season, which promotes experimentation, taking changes on a show, and seeing as many shows as possible.

Don’t get me wrong, I love Fringe. I’ve considered it “theatre Christmas” for many years. I have loved seeing shows, taking a chance on a show I’ve never heard of, seeing as many shows in a day as I can.

But at these price points I won’t be able to do that. I’m unlikely to take a risk on a show, because I can’t see as many shows as I might want to. The prices has gone up, but my available income hasn’t. So I have to be more selective of the shows I go to see. And this is just bad. It means that we are less likely to find that hidden gem of a show, because we aren’t going to see things that we aren’t certain about.

I know that the Fringe festivals are struggling. I know that they are trying to come back from the covid years. And I know that the artists need to be able to make money. But there needs to be a balance. And to me, these prices don’t feel like the right way forward. And I fear for the future of the fringe festival in Canada. Its supposed to a festival for everyone. A way for many people to see as many shows as possible. But these prices don’t really allow that.

I know its too late for this year, but I hope that these festivals reconsider these higher prices in the years ahead.

Toronto Fringe Hype Up: 2024 Dora Award nominees Sex T-Rex Present Crime After Crime (After Crime) at the Toronto Fringe Festival

Fresh from their 2024 Dora Mavor Moore Award nomination for Outstanding Performance by an Ensemble for SwordPlay, genre-comedy specialists Sex T-Rex return to the Toronto Fringe Festival with Crime After Crime (After Crime).

In this updated version of the multi-award-winning hit, Toronto’s beloved physical comedy company presents a multi-generational epic spanning three “Crime Periods” – film noir set in the 50s, a heist in the 70s, and a buddy cop in the 90s. In Sex T-Rex’s signature style of cinematic-inspired comedy, Crime After Crime (After Crime) shows the dark side of the Stone Family’s rise and fall in Crime City, USA, and explores the family’s intergenerational trauma through stupid goofs, stage combat, and swing-dance car chases.

Created and performed by Sex T-Rex: 
Conor Bradbury (Second City mainstage), Julian Frid, Lowen Morrow and Seann Murray

Second City Award winners for Most Outstanding Comedy
Best of Fest Award, 2019 Toronto Sketchfest
Two-time Just for Laughs Best Comedy Award winners
2022 Toronto Fringe Top Pick – Toronto Star
★★★★★ “Non-stop laughs” – CBC
NNNNN “Brilliant” – NOW Magazine

Tarragon Theatre Mainspace 
(30 Bridgman Ave, Toronto)

Wednesday, July 3, 2024 – 7:30pm
Friday, July 5, 2024 – 9:45pm
Saturday, July 6, 2024 – 2:15pm
Monday, July 8, 2024 – 4:00pm
Thursday, July 11, 2024 – 7:45pm
Friday, July 12, 2024 – 9:30pm
Sunday, July 14, 2024 – 4:00pm

Running time: 60 minutes

Tickets $15
Available at fringetoronto.com or at 416-966-1062

Members of Sex T-Rex appeared on the Stageworthy podcast many times.

Toronto Fringe Hype Up: Girls’ Night Cabin Fever

Things get spooky in Girls’ Night Cabin Fever, a fast-paced, horror farce, playing at the Tarragon Extra Space. As three women try to rekindle their childhood friendship, Charlie, Ember and Liz make a frenzied attempt to survive all the classic perils of a cabin in the woods. As the suspense grows and the power goes out, it begs the question, would you try to confront the threat? Or as Ember asks, “Do you wanna get turnt together one more time before we die and finish off this margarita mix”.

Girls’ Night Cabin Fever originally premiered at the 2022 Guelph Fringe Festival, and is returning to the stage with a new and improved script and staging. The show is based on playwright Cassie Davidson’s experience growing up in rural Ontario, and is supported by sound designer Ryan Maxwell’s imaginative horror soundscape.

Featuring a cast of 6 exciting, emerging artists including Lizzie Moffatt, Mackenzie Kelly, Kenny Grenier, Allison Ehrlich and Cassie Davidson and directed by Michael Williamson, a Dora Award nominated artist.

So grab your friends, grab your drinks and join us at the cabin for Girls’ Night Cabin Fever at the 2024 Toronto Fringe Festival!
Ghouls and Girls Theatre

Girls’ Night Cabin Fever presented as part of the 2024 Toronto Fringe Festival
written by Cassie Davidson
directed by Michael Williamson
Featuring: Allison Ehrlich, Cassie Davidson, Kenny Grenier, Lizzie Moffatt, and Mackenzie Kelly
Stage managed by Iris Asserlind
Dramaturgy by Brandon White and Shannon Mills
Sound design by Ryan Maxwell
July 3-14, 2024, Tarragon Extra Space
More information and tickets available as of June 5, 2024
Online at www.fringetoronto.com and www.ghoulsgirlstheatre.ca

Playwright Cassie Davidson appeared on the Stageworthy podcast in February of 2021.